Stepping out of the 34th street station, you could hear Madison Square Garden before you could see it.

It beheld a low hum of people who all seemed to know each other, even though statistically that couldn’t be true. I followed the sound in, having absolutely no idea what I was walking into. 

The only thing I knew about Phish was the lead guitarist, Trey Anastasio, and their positively ripping cover of “Loving Cup” by the Stones, a song I particularly held a fondness for. Surely, based on this alone, there was more to be seen, beyond what meets the eye. I was enthusiastic; it was rare these days that I actually went into something blind, but here I am, using the stadium as a beacon, a guiding light, so to speak.

I found my seat somewhere toward the lower bowl, directly behind the band. I was sandwiched betwixt my two coworkers; most people I’d talked to described their Phish debut as something solitary, almost spiritual, and here I was elbow to elbow with people I interacted with every weekend. Somehow that made it better. None of us exactly knew what we were in for, but at least we didn’t know together.

I sat there patiently, in a cloud of artificial smog and marijuana smoke, anxiously anticipating what was to come. What was to come exactly? I was blissfully unaware. What took me out of this trance was the stage lights finally turning on, the thunderous roar of applause for these four seemingly dorky middle-aged men.

Phish guitarist Trey Anastasio performs at Madison Square Garden.

And then they just started playing, locked in from the very first note. Four guys and their instruments running like a four legged work horse, they owned the floor.

I sat there in awe, song after song with no names, at least to me they had none; naturally, I didn’t recognize a single one. The jams seemed to go on forever, like a spoonful of molasses slowly dripping back into the jar. Don’t let that analogy fool you, I couldn’t get enough. I was transfixed. Trey’s guitar weaved seamlessly through each key chord and drum beat, constantly searching and grasping for a conclusion, but the closer it got, the farther away it seemed.

Somewhere in the middle of all that searching, I gave up on trying to catch up. I stopped waiting for the song to resolve, for the hook I recognized, for the moment I could clock and say, “Ah, there it is.” And once I let go of that, everything sort of opened up for me. It was so much more than a concert; I was watching four people give chase to something that they finally caught, and by the end I realized that was the whole point.

I still couldn’t tell you a single song title. I still don’t fully understand what happened up there. I just knew I wanted more.

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